Little Girls' Bedrooms

Natasha Baradaran

Of course the past few weeks I've been busy collecting inspiration photos of children's rooms. So I thought I might go ahead and post a round-up of some of my favorite rooms: first girls' and then boys' (which, I'll admit, where a lot harder to find!). [Aside: And no, I still don't know what I'm having, but I should when I go to the doctor next on the 20th!] This first room from Natasha Baradaran (whom I only recently discovered but very much love) is a great way to kick this post off. I love the melon and yellow color scheme -- and that butterfly fabric is pretty dynamite. Overall, this is a kid's room that doesn't feel particularly kiddish, but also doesn't feel too adult. It's that delicate balance that I think is so difficult...and that I'd argue all these rooms have in common.

Natasha Baradaran

Another Natasha Baradaran room, this time in a lovely lilac and sage. The palette is very soothing and feels a bit Provencal to me. I love how natural this room feels, too, with the nubby natural headboard and very clean and simply white fabric draped around the bed. 

Jeff Andrews

I just realized this is the only nursery I've featured on this roundup -- but frankly in many of these rooms you could just swap out a bed for a crib and pretty much be there, yes? In any case, I love how there are two gliders in this room. Perfect for your spouse or friend to keep you company while you nurse. I also love how the shaggy green rug looks almost like turf -- it brings a naturalness to the room that's a great counterpoint to all that pink and yellow. My only complaint? Those yellow sheers! They just look dirty to me.

Melissa Rufty

I'll admit I'm a bit jealous of that girl -- her bedroom is pretty darn fabulous! The headboard is sophisticated and neutral, a piece that could easily see her well into her adult life. The large-scale square and circle print doesn't feel overwhelming thanks to heavy doses of white (and keeping the wallpaper to just one feature wall). Oh yeah, and at her age I would've killed to "play" on a pink guitar!

Jeffers Design

This room is a personal favorite of mine (in fact, I posted on it at length HERE). The colors, the prints, the furniture...it's just all so fun and funky! The wallpaper is particularly fabulous, especially with the pink ceiling and gold crown molding. Fit for a princess, indeed.

Suzanne Kasler

A second example of how to use this great, graphic print, this time used more sparingly in just the drapes. I think though my favorite element in here is the daybed-cum-hammock. What a great spot for daydreaming, reading and gossiping!

Amanda Nisbet

I include this room primarily because I am completely in love with that headboard. Note how the greek key motif is again picked up on the carpeting.

Massucco Warner Miller

This room sure made the rounds in the design blogosphere a few months ago, but it's too great not to include in this roundup. I love how the bed/bookshelves combo are completely built-in. It's a tremendous use of a very small space. The pops of pink and turquoise make a big impact and I love the sophisticated use of a chinoiserie; it's pretty and feminine, but not babyish.

Elizbeth Martin

As a little girl I had a strong affinity for Impressionist art, especially anything by Claude Monet. And there's something about this room that reminds me of him. The soft colors and prints almost bleed into each other, creating a soothing, pretty picture. I also love the flatweave striped rug -- a brilliant choice in any kids' room for hiding all manner of sins.

Sally Markham via House Beautiful

As a woman who doesn't consider herself overtly girly, I can definitely appreciate a girl's room that doesn't have an ounce of pink in sight, but still strikes a decidedly feminine note. The turquoise, chocolate brown and white combination is exceedingly popular -- you need only look at PB Teen to see that, but I really love how Sally brought in hits of chartreuse to bring an extra dimension and real jolt of novelty to the space. Note how the spotted print on the floor cushion brings the entire color palette together. Sometimes an inspiration print doesn't have to be the dominant print to be the spring board for the entire look.

P.S. - Those bedlinens are purportedly by Kate Spade? When did Kate get into linens? Is she still doing them?

Sixx Design

Did y'all catch the first season of Nine by Design on Bravo last winter? While I'm not wholly in love with most of the Sixx Design portfolio, after catching that show I am now very much in love with the darling family behind Sixx Design. Of the few rooms of theirs that I do love, their twin daughters' bedroom has to be near the top. Perhaps it's that dreamy antique bed or the giant art installation of fake flowers behind plexi-glass, but there's just something so joyous, feminine and yet very clear and modern about this space. It's a great dichotomy that makes for a very refreshing girl's bedroom.

And finally, what roundup of little girls' rooms would be complete without a collection of fantastic canopied daybeds?

Angie Hranowsky

A great modern approach with a sharply tailored canopy and graphic geometric print.

Ruthie Sommers

Ruthie Sommers goes the more traditional route with lots and LOTS of pink. The blue and white porcelain table lamp is a great touch and really helps to break up the monochromatic room.

Palmer Weiss

Perhaps my favorite version of this look -- the floral print has a great color palette and a more graphic, whimsical touch. Love how the inside is lined in a solid -- it really helps break up all the pattern.

Tobi Fairley

I love purple in a girls' room and the touch of zebra in the canopy lining brings a more grown-up look that's perfect for a preteen or teen.

Sweet Dreams are made of these....

Palmer Weiss

In the spring of 1987, when I was in first grade, my parents moved from inner Houston to its suburbs. Once we settled in, one of the first rooms my mother decorated (with the help of a designer from Ethan Allen, if I recall correctly) was my bedroom. At the tender age of 7, I was allowed to select the basic design elements for my bedroom -- and I remember feeling so very grown-up throughout the process. My color palette? Pink and white, of course! Pink splashed across wallpaper, balloon draperies, bedding and, of course, my very own crown canopy (or coronet), which transformed my antiqued white iron bed into a gloriously feminine, over-the-top confection of pink and white flowers, balloons and stripes (for contrast, natch). While the bedroom didn't exactly see me through childhood, it did last me nearly a decade when, at the age of 16, I finally managed to convince my mom to let me redecorate the room to make it a tad more adult.

Alas, I can't manage to come up with a good photograph of my childhood room, but this collection of perfectly girlie, perfectly pink rooms illustrates the timelessness (and the whimsy) of princess bedrooms for little girls. And, while I can't say that I'd want this look for my own bedroom, there's a part of me that still loves the over-the-top femininity of coronets and lots and lots of pink.

Katie Ridder

I love the shape of the canopy on this one -- and how it hangs so crisply from the ceiling. Adding molding around the canopy is a great, inexpensive way to add structure to the canopy (loose, flowing canopies have a more casual, island feel). Using a single, bold pattern on walls and upholstery is a classic choice for a bedroom. Sure, it's a very "decorated" look, but it's a guaranteed way to make a statement. Note too how Katie used the print as a contrast welt on the side chair. Brilliant.

Melissa Rufty

Coral and sage green, especially when grounded by hits of black, is a decidedly more grown-up color palette. The mix of florals and traditional monograms with the more exotic ikat and suzani prints ups the sophistication further.

Palmer Weiss

It can be difficult to find a daybed that looks and acts more like a true sofa, but this one's cozy cozy arms really makes this guest bedroom look more like a lounge comfy lounge (which is ideal for the vast majority of us who have only infrequent overnight guests). My favorite touch is the brass nailhead trim, which overlays a slate blue ribbon that coordinates with the wallpaper and primary fabric.

Ruthie Sommers

There's a lot here that I love: a classic toile print, an upholstered headboard with a contrast welt, an oversized monogram, blue and white porcelain, and a scalloped pelmet box window treatment. In fact, now that I think about it, it's darn near perfect.

Ruthie Sommers

This is precisely the room I would have asked for at the age of 8 if I'd had the budget (and vocabulary) to employ Ruthie Sommers. China Seas' Lyford print on the chair and pillow is a great choice that won't date and will work equally well in a guest room when your little one flies the nest.

Martha Angus

There's a lot about this room that's incredibly traditional: the toile, the draperies, the antique daybed, the rug. And yet the orange upholstered chairs and loveseat, despite their shapes, are incredibly modern. It's this dichotomy that makes the room interesting.

Jonathan Adler

In many ways, this rooms feels much more traditional than what I'm seeing from Adler. Maybe it's the gingham print or the antique armoire (albeit painted a vivid yellow). Nevertheless, the lime green lining on the interior of the canopy feels exactly like something the purveyor of Happy Chic would come up with. Yellow and lime green, while still joyful and child-like, ensure that the pink is way more hip than sweet.

Angie Hranowsky

This is a great mid century modern twist on a classic canopy. To create a similar, stream-lined look, keep the shape of the canopy rectangular (no fancy scalloping needed) and the print geometric and colorful. Note too how the wall behind the daybed is not swathed in fabric this time and the lining of the fabric coordinates rather than contrasts with the primary print.

Tobi Fairley

Not all little girl's rooms have to be pink. In fact, I'd bet just as many girls list purple as their favorite color as those who call pink their signature. I love how Tobi added the black trim and zebra fabric to ground the space and ensure that it will be just as possible when the Little Princess turns 16 as when she turns 6.

Gwyneth Paltrow's Hamptons' home via Habitually Chic

This room confirms my suspicions that being the daughter of an A-list movie star and a mega-rock star comes with some serious perks. Apple Martin is one seriously lucky little girl to have such a chic bed at the tender age of 6. I particularly appreciate that the pink is very saturated and the contrasting white and yellow zig zags. The monogrammed pillows, in hot pink and a more streamlined font, remind me of something you'd like up at Jonathan Adler. While I think the white walls and white floors is a wee bit sterile, I do like the high contrast between the bed and the rest of the space. If this were a room in my house though, I'd warm the floors up with a flokati or sea grass rug (maybe change it out for the seasons?) to add some warmth and texture.

So what about you? Did you have a canopy or coronet in your childhood room? Do you have one now -- or do you think this look is for kids only?

Style Essential: Turquoise Lamps

Tobi Fairley

I've expressed my love of turquoise on this blog before, but I think one of the easiest ways to bring this bright, fun (and admittedly a bit trendy) hue into your home is through lighting. Prior to becoming an interior design amateur, I readily admit that I frequently ignored lighting. It just didn't seem important. Now though, I'm starting to believe that it might be the single most important element in a room. From a practical standpoint, good light is essential to good (and functional) design. From an aesthetic perspective, lighting (much like jewelry) can take the ordinary and inexpensive and transform it into something glorious. And so, as with jewelry, I'm a big believer in splurging on good lighting for a space.

But is the splurge worth it for a pair of turquoise lamps? I'd argue yes. Turquoise is perhaps unique among bright hues in its ability to work with a variety of colors. When paired with neutrals, turquoise accents are really allowed to take center stage. When paired with other equally bright colors (like purple, orange or green), turquoise is strong enough to really hold its own. I've said it before and I'll say it again: you should think of turquoise as a neutral.

Ondine Karady

I absolutely adore how Ondine paired these deep turquoise lamps with orange and that gorgeous suzani coverlet. The disparate color palette works because the walls are left neutral and all of the accent colors are equally saturated.

Meg Braff

This room deservedly made the cover of House Beautiful a few months ago. The pops of soft blue work beautifully with the beige, but I think my favorite element in this space is the pairing of the striped wallpaper with the chinoiserie print (Lyford background by China Seas) and just that ever so subtle hit of zebra print on the throw pillows. It's a veritable master class in how to mix patterns.

Sally Steponkus

I love how the lamp is the only bright color in this vignette. The peacock blue also picks up on the blue undertones of the wall paint.

Bonesteel Trout Hall

In this room, turquoise is the primary accent color as its picked up in the majority of the soft furnishings, the lamps and in the artwork. I think turquoise is a great color choice for a master bedroom, as I think it appeals to both masculine and feminine sensibilities, especially when its paired with clean lines and little pattern as its done here.

Palmer Weiss

I've waxed on about my love for this room in the past, but suffice it to say here that I'm still completely in love with these soft turquoise glass lamps, especially against the rich chocolate brown grass cloth on the walls.

Meg Braff

Aside from the brilliant red of the roses, the pair of lamps on the buffet are the sole source of color in this room.

Jamie Drake

I love the height of this lamp, which really helps bridge the gap between the low furniture and the ceiling. The bright, citrus yellow of the walls can be tough to work with, but in the hands of Jamie Drake, the room feels sophisticated and grown-up, largely thanks to neutral furnishings, accented only by a few pops of turquoise in the lamp and throw pillows. The art work above the sofa ties the entire color palette together.

Kristen Panitch

In this bedroom, I love how the bold turquoise of the lamp is picked up on the peacock-inspired throw pillow on the bed. By repeating this strong hue, the choice appears deliberate rather than accidental.

Melissa Warner of Massucco Warner Miller

This vignette, featured in the most recent issue of House Beautiful, is truly stunning. Not only do I adore the simple ceramic gourd lamp from Restoration Hardware, but just about every other element in here as well. I love how the detail in the cabinet doors is picked out in the soft blue and how the colors are picked up on the art work, which appears heavily influenced by the work of Rene Magritte, one of my favorite artists.

Jeffers Design Group

You can't get much prettier than this vintage Murano glass lamp. The blues in this bedroom are all very different, yet they work together beautifully. Don't be afraid to mix and match shades of the same color. The effect is eclectic, without being cacophonous.

Phoebe Howard

The sea glass look of this large gourd lamp is the perfect -- and subtle -- beachy accent for this bedroom. Take a cue from Mrs. Howard and avoid filling this type of glass lamp with tchotchkes. I don't know why retailers are always encouraging this as I find the look to be entirely too cluttered (and the likely filler here, sand and shells, would take this room into theme territory).

If you're looking to bring a little turquoise light into your life, here are my top ten favorite that are currently available at retail:

Source List (from top left): 1. Art Glaze Floral Relief Lamp (Shades of Light; $299). A great way to bring some more texture into a room. 2. Paulette Lamp (Avid-Home; $337.50). A stylish shape that works equally well in traditional or modern interiors -- and the lucite base is fabulous. 3. Cane Turquoise Table Lamp (Clayton Gray Home; $290). Cane + turquoise = perfectly Palm Beach. 4. Capri Bottle Lamp (Jonathan Adler; $275). You can't get much more classic than this. 5. Stacked Ball Murano Lamps (Swank Lighting; $3000/pair). Jaw-droppingly beautiful (and if you're looking for vintage Murano lamps, Swank should be your first stop). 6. Blakely Glass Lamp (Avid-Home; $375). The neutral shade and more muted hue of this lamp means it will work seamlessly in more neutral rooms. 7. Jamie Young Co. Deauville Table Lamp, Sea Glass (Candelabra; $629). Delicate and oh-so-pretty, this one reminds me of the lamp in Jeffers' room above. 8. Peacock Lamp (Plantation; $365). Absolutely adore the color of this ceramic lamp. 9. Carnaby Hazard Lamp (Jonathan Adler; $225). A simple cylindrical shape is made interesting with a fun, retro pattern. 10. Pagoda Table Lamp (Clayton Gray Home; $350). The scale and shape of this pagoda lamp makes it perfect for a console table.

Mid Century Modern Done Right

When I first started reading design blogs back in 2008, my design style really wasn't all that set yet -- though I was immediately obsessed. I devoured design blogs with gusto, hoping from one blog to the next, reading through all the archives of my favorites. During this nascent period in my design education, I vacillated wildly among various styles until I began to settle into certain styles that felt the most "me". One of the styles that I was initially drawn to, but have subsequently abandoned (at least for the most part), is Mid Century Modern. And no wonder really: some of the best design blogs out there (e.g., Making it Lovely, Door Sixteen, Decor8, Design*Sponge) have a distinctly MCM tilt. In any case, the long and the short of it is that, while I completely respect MCM style, it's not really a look I'm strongly attracted to right now.

At least that was the case before I got a load of this house decorated by Palmer Weiss. Now this is MCM at its best. Plenty of color and pattern and the classic, streamlined furniture that are the hallmarks of MCM. But there's also a number of traditional and trendy touches here that shake things up just enough so that you know that you're not looking at a home decorated in the 1950s.

I love the classic lines of this sofa (and the yummy cotton velvet upholstery) paired with the vintage coffee table and the Raindrops Sculpture by popular mid century artist Curtis Jere (recently reissued and available through Jonathan Adler). The cheetah print ottoman is a bold touch, especially next to the psychedelic orange print accent chair (pictured in the first image).

The dining room is perhaps my favorite room. I'm really loving the comeback that grasscloth has made in the past year or so and this chocolate-y brown version is a great bold stroke. By keeping the wainscoting and trim in the same color, the walls are able to provide a great textural contrast between the glossy trim and the grasscloth, without the bold color dichotomy. This allows the white latticed chairs to really take center stage. The pops of soft turquoise in the lamps are a nice addition of color in an otherwise brown, gold and white room, and also reference the soft grey-blues of sofa in the adjacent living room.

I like how Palmer kept the wood floors bare in the dining room. The contrast between the dark wood and the glossy white of the buffet (which I covet) is fantastic. The brown and white print on the dining chairs is a nice addition of pattern in the room. I'm a firm believer in the notion that all rooms need at least one print (however subtle) to create some real interest. The ceiling is painted a muted beige, a much softer statement against the chocolate walls than a standard white ceiling would have been.

Sunny yellow in a kitchen or breakfast room/nook just makes me happy. The ikat print is a great, on-trend update to this very retro breakfast room and looks great against the green apple velvet pillows and Adler's lemon pillow (which perfectly picks up both the yellow and the green in the other fabrics). The large, happy photograph introduces some other equally bold colors into the room and keep the vignette from feeling too static and "decorated" (often a danger with tight color palettes). I love that Palmer had a rectangular top put on a tulip base, which fits the space better than the usual round or oval top would. The meringue pendant is a fun and inexpensive alternative to the ubiquitous Nelson bubble lamps.

In the kitchen, the Bertoia bar stools coordinate with the Bertoia side chairs in the breakfast nook, right down to the matching cushions. Other than the yellow ikat print, the palette in the kitchen is kept pretty neutral, with the focus on the gleaming, modern stainless steel appliances, large slab of marble (which matches the marble on the kitchen table) and the warm walnut island, all classics that could work with any decor should the existing owner decide to sell or decide to redecorate.

I always love to see a "budget" item featured in a designer's work and this zigzag rug from West Elm is perfect for this hallway. The mix of high and low continues with the gorgeous sputnik light fixture in brass.

I'll be honest, this wallpaper isn't my favorite -- the metallic foil backdrop and the yellowish green are just a bit too retro for my taste. But I'm a firm believer in taking bold chances when it comes to kitting out a powder room, so I applaud Palmer for taking the risk here. And of course the yellow and green palette work nicely with the nearby kitchen. The floating vanity is a great touch, especially in a tight space.

The den is just off the kitchen and brings together the yellow in the kitchen/breakfast area, the pops of orange in the living room, and the rich browns of the dining room. The style here is also more traditionally MCM, with the oval Saarinen coffee table and Adler rug (the Peter Rug) and pillow (the Mother Child pillow). There are just enough modern choices (like the clean lines of the sofa and the ikat print pillow) to keep it from veering off into retro.

Palmer tucked an area dedicated to children into this den and I think this is a great and practical solution for most families. The segregation of adult and kid spaces is a luxury many of us don't have -- and, since younger children require more constant supervision, ultimately, is not a particularly workable solution unless parents want to spend all their free time in a room catering exclusively to children. A much better path is to incorporate your children into the design of all the major rooms in your home. The addition of this mini-craft table and cushy rug ensure that your children have a spot all their own right in the heart of the action. I'm not sure this top is anything other than gray laminate, but how cute would it be if it were made up in chalkboard paint?

The oval shaped tiles on the fireplace are '50s and '60s modern at its best, but the textural quality they give the fireplace is very today. There are a number of manufacturers of this type of tile, but if you're in the market, Heath Ceramics' version is a great option. I love how Palmer paired a traditional Chinese garden stool with the Knoll Womb chair. The tension created between the two styles creates a lot more visual interest than pairing the Womb chair with, say, a small tulip table would have been. And, I think, this sort of mixing it up is precisely what MCM really needs to make it translate to 21st century style, the hallmark of which is eclecticism. Staying married to a single type of design style is a guaranteed way to get a room that feels both staid and dated.